For Gilda oranges are blue. She was in a psychiatric ward for a month, but now she wants to
leave. A young doctor, convinced that she requires further medical care, is keeping her in the
hospital against her will. The head of the psychiatric ward, on the other hand, believes that
people like Gilda can't be helped and that the taxpayer's money is being wasted by treating
people like her.
In this clash of etnicity, mental health and medical ethics, Gilda is cought in the middle.
The performance’s scenario stepped us into a difficult world of the double experience of a young
Roma woman, as a patient of the psychiatric ward but we also find out about the isolation that
she feels outside the hospital's institutionalized framework. The fragile balance of her mental
health, the transformation into an object of the dispute between the two doctors, the turbulence
created by the self-pride of the two, the standard methodology applied for discharge and
complaints or the immutable hierarchy in the Romanian medical system make the "blue/orange"
performance an important voice of visibility through artistic means of the hidden or
discriminatory or taboo experiences.
“It is a mirror show. We have the feeling that we are whole only when we see the reflection in
the others. I’m Romanian because I know that I’m not roma, I’m heterosexual because I know
that I’m not gay, I’m orthodox because I know that I’m not muslim, I’m rich because I’m not
poor but in this look at the other there is much desire and a surplus of real, a hole made even in
the center of our symbolic system.” (Mihai Lukács)
TEAM
With: Zita Moldovan, Claudiu Dumitru și Andrei Șerban/ Iulian Gliță. Live music: Poetrip Scenography: Laurențiu Ridichie Directed by: Mihai Lukács
The stories of four Roma women combine with traditional Romani music in a documentary
theater performance.
The four women say out loud: ”Del Duma ( Tell Them About Me!)” About the truth of teenage marriage,
about what it means to belong to a traditional community and about what happens when you no longer feel
you belong there.
About the so-called "exoticism"of the Roma women,about stereotypes which remind us that acceptance
and diversity are a still a long way from becoming reality.
In Del Duma we talked about untimely marriage, this show was meant as a documentary with
the stories of girls/women from traditional Roma communities who were trying to find an
alternative for this social pressure that still exists in many Roma families.
The show starts off with my story because I felt it was not right to let the other women expose their stories
without putting myself in a vulnerable position first, without letting my personal story be publicly judged
alongside the others.
I became close to them by admitting my vulnerability, fully aware of the
fragility of the area I was heading in. Of course, there was a lot of self-irony, an approach I often
chose. (Mihaela Drăgan)
TEAM
With / Written by : Mihaela Drăgan Live music: Radu Captari Directed by: Liana Ceterchi
Lawyers, real estate mafia, executors, police, mayors, secretaries, affective speculators,
opportunist artists – they are all pressing on the houses from the neighborhood of highly real-
estate value Rahova Uranus, wherefrom hundreds of people have been evicted and others are
waiting for their turn. The evicted women and their children, together with Mihaela Drăgan, are
dissecting step by step the process of losing their homes, which is at the same time a profitable
business of destroying a community.
Rahova-Uranus area is visited by real-estate agents because of its central location. Yet the
eviction phenomenon is present in every neighborhood and in all the sectors of Bucharest, but
also all over Romania.
The evicted, trapped in the process of “cleaning” the city centers of poor and Roma, alongside the
activists, stay in solidarity and protest permanently for their voices to be heard by those who
have the duty to protect the housing right of each citizen of the country, no matter what their
social status or ethnicity are.
The performance is an independent play produced by La Bomba Studios, Rahova-Uranus, with
the support of tranzit.ro/București .
TEAM
Play by: Mihaela Drăgan and Mihai Lukacs With: Mihaela Drăgan, Gabriela Dumitru, Marian Dumitru, Claudiu Eremia, Cristina Eremia, Alexandrina Fieraru, Andreea Fieraru, Cornelia Ioniță, Marian Ioniță, Mihai Lukács
As part of the MNAC’s “Congregation of the Cast-offs”, from the Project Salon,
we performed an incantation for Sara Kali, Patron Saint of the Romani people,
in Bucharest.
Today, Roma women face discrimination on multiple fronts; racism and
sexism both individual and systemic. Roma women living in traditional
communities have to contend with patriarchal oppression whether it’s in the
form of early marriage or the denial of education as girls.
Our performance
confronts this ‘double discrimination’ as it appears in hate speech,
propaganda and prejudice toward Roma via the invocation of legend.
Specifically, Sara Kali, an Icon worshiped by Roma women over the centuries
for strength and compassion.
As part of the ritual, Sara Kali will appear in front of the audience to protect
and bless the Roma people who are facing everyday racism and
discrimination (“the roaring lion that wishes to devour me”).
“Our saint, Saint Sara Kali, Mother of all Roma people On Earth And beyond the grave. Mother of all Roma people And nurturer of our soul I pray to you, I summon your power, Great Sara Kali, mellow our hearts, Take away the burden and the worries Help us, Saint Sara!”
Sara Kali is the Romani matriarch of performance art and benevolent
mysticism. Join us as poetry, dance and music invoke the legacy of the great
Dark Mother.