{"id":1837,"date":"2020-04-27T16:49:24","date_gmt":"2020-04-27T16:49:24","guid":{"rendered":"http:\/\/giuvlipen.com\/?p=1837"},"modified":"2025-08-05T20:04:04","modified_gmt":"2025-08-05T18:04:04","slug":"madalin-mandin","status":"publish","type":"post","link":"https:\/\/giuvlipen.com\/en\/madalin-mandin\/","title":{"rendered":"M\u0103d\u0103lin Mandin"},"content":{"rendered":"
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What would a utopian theater of the future look like for you as a Roma actor?<\/b><\/a>\nIt surprises me and at the same time it is quite painful that in the film industry we, the Roma actors, are often distributed in stereotypical roles: that we are Romani speakers, that we know how to sing or that we look a certain way. And if we look at the theater world: there is the Hungarian Theater, the Jewish Theater or the German Theater ... why couldn't we have a Roma Theater too? In the absence of an institution to represent us, the Roma actors in the independent sector, we are in a difficult situation to manage the limited possibilities we have, such as the lack of funding. At this moment, more than ever, I think the most important thing is to find ways to demand our rights.<\/p><\/blockquote><\/section>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sar sikavelas o utopikano teatro e avutnesqo vaht andar tute sar rom aktoro?<\/strong><\/a>\nDukhal man kana dikhav ke and-i \u0107inematografiaqi industria ame, e roma aktururia del amenqe butivar kana kelas e stereotipikane roluria: sotar das duma romanes, sostar geanas te gilabas vaj ke sikavas and-o vareso fialo. Thaj kana das duma va\u0219 o teatro: kadja sar si o Maghiarikano Teatro, e Dasikano Teatro, E germanikano Teatro...sostar ame na da\u0219tis te aven amen jekh Romano Teatro? Kana na-i jekh institucia kaj te dikhel amen , ame e roma aktoruria kaj keras buti korkorutnes siam thovdine and-i jekh phai situacia te dikhas maj mi\u0219to amare a\u0219timatendar saven ame sia amen, sar si ke na-i amen love te keras buti. Akana maj but sar orikana, pakiav ke so maj importanto si te arakhas o drom ka\u0219 te mangas amare \u0107a\u0107imata.<\/p><\/blockquote><\/section>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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M\u0103d\u0103lin Mandin<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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M\u0103d\u0103lin Mandin has been teaching improvisation theater for over twelve years for people who want to be as anchored as possible in the present and to act more than they currently do. He has always wanted to inspire children, encourage continued education, and fight school dropout together with UNICEF and other non-governmental agencies. In terms of professional experience, M\u0103d\u0103lin graduated from the National University of Theatre and Film \"I.L. Caragiale\" in Bucharest in 2008. In theater he currently collaborates with the Bucharest National Theater (\"Two Scratchcards\", \"Furtuna\", \"Hotel Europa\", \"Eden\", \"Medeea my mother\", \"No Man's Land\u201d), Sic\u0103 Alexandrescu Theater in Brasov (\u201c Electronic City \u201d,\u201c Portugal \u201d,\u201c Sinuciga\u0219ul \u201d),Stela Popescu Theater in Bucharest, Comic Opera for Children, and the Romanian Dramatists Theater. He also collaborated with Godot Caf\u00e9-Theater, Amphiteatrrom Cultural Association, LUNI Theater from GREEN HOURS, Toma Caragiu Theater from Ploie\u0219ti. His film career started in 2004, with the short film \"Chocolate\" directed by Aneia Vlad, for which he received the public award at the \"CinemaIubit\" festival. Forthcoming for Mandin is a long series of productions: \"One step ahead\", \"The police are coming\", \"Aniela\", \"2 + 2\", \"The Circus of Hunger\", \"Decebal's Treasure\", Chororo \",\" Camera Caf\u00e9 \",\" In pronunciation \" and TV series: \"Ours \",and \u201cShadows\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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O M\u0103d\u0103lin Mandin inkerel maj but de\u0219idujen ber\u0219endar sikavimata palal e improviziaqo teatro andar e manu\u0219a save kamen te aven andine and-o akanutno vaxt thaj te keren maj but andar so keren akana. Kamlias savaxt te sikliaren e \u0107havorren te aven len jekh edukacia thaj te maren pen mamuj o \u0219kolaqo mukhipen pa\u0219utnes e UNICEF thaj avere agentiendar bi guvernamentalutne. Andar lesqi buti, M\u0103d\u0103lin agorisardias i Themutni Universit\u00e9ta va\u0219 e aktoriaqe arturia thaj \u0107inematografia and-o ber\u0219 2008. Ka-o teatro akana kolaboril\u00a0 ka-o Themutno Teatro andar o Bukure\u0219ti (\u201dDuj thana\u201d, \u201dI furtuna\u201d, \u201dO Hotelo Europa\u201d, \u201dEden\u201d, \u201dMedeea mi daj\u201d, \u201dNo Man\u2019s Land\u201d), O Teatro Stela Popescu andar o Bukure\u0219ti, E Asaipnasqi Opera andar el \u0107have, O Teatro e rumunikane dramaturenge. Maj kerdias buti ka-o Godot Caf\u00e9-Teatru, Kulturikani Aso\u0107iatzia Amphitheatrrom, o Teatro LUNI katar GREEN HOURS, O Teatro Toma Caragiu ktar Ploie\u0219ti. Lesqi kariera and-i \u0107inematografia cirdias andar o ber\u0219 2004, kana keldias and-o harnometra\u017ao \u201dCiokolata\u201d, i regia katar o Aneia Vlad, kaj lias vi o manu\u0219enqo premio ka-o Festivalo \u201dCinemaiubit\u201d. Avutnes nakahs andar maj but produkcie kaj vov kerdias pes dikhlo \u201eJekh piresa angal\u201d, \u201eAvel i \u0219erali\u201d, \u201eAniela\u201d, \u201e2+2\u201d, \u201eE bokhatar kelipen\u201d, \u201eO barvalipen e Decebalosqe\u201d, Chororo\u201d, \u201eI Camera Caf\u00e9\u201d, \u201eAnd-o phendipen\u201d va\u0219 e televiziaqe serialuria: \u201eAmare\u201d, \u201eUmbre\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\u2190 THE FUTURE OF THEATRE THROUGH THE EYES OF ROMA ACTRESSES AND ACTORS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tFacebook<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tInstagram<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tYoutube<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSUPPORT<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Cum ar ar\u0103ta teatrul utopic al viitorului pentru tine ca actor rom? M\u0103 surprinde \u0219i \u00een acela\u0219i timp este destul de dureros c\u0103 \u00een industria cinematografic\u0103 noi, actorii romi, suntem de multe ori distribui\u021bi \u00een roluri stereotipice: c\u0103 suntem vorbitori de limba romani, c\u0103 \u0219tim s\u0103 c\u00e2nt\u0103m sau c\u0103 ar\u0103t\u0103m \u00eentr-un anumit fel. Iar dac\u0103 […]<\/p>\n","protected":false},"author":2,"featured_media":1838,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viitorul-teatrului"],"_links":{"self":[{"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/posts\/1837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/comments?post=1837"}],"version-history":[{"count":5,"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/posts\/1837\/revisions"}],"predecessor-version":[{"id":4658,"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/posts\/1837\/revisions\/4658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/media\/1838"}],"wp:attachment":[{"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/media?parent=1837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/categories?post=1837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/giuvlipen.com\/en\/wp-json\/wp\/v2\/tags?post=1837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}